Mother hid the bones
of three thousand
lies [we started find-
ing remnants of
childhood] years
before. Memory
holes ate through her
good blue I-want-to-
be-buried-in-this dress.
We now know her
name was Helena and
she never had child-
ren. If bones tell stories
archaeologists are
Homerian poets [we
understand nothing] of
trench whispers about
a sister called Celeste
and a burned down
house. Dignity burrows
deep; truth attempts a
final stand covered in
dust. We buried her
in that red dress [
out of spite I supp-
ose.] Our small
shovels will take life-
times to pile the spoil
from around these
bones.
I have been contemplating what we call truth and what is the truth: in the public sphere as well as in small, personal history. Recently having learned new things about my (now deceased) grandparents has added another layer to these wonderings. As an on-going theme, I like to explore the feelings of those left behind when a person dies. When I first glanced at Maggie Jaszczak' sculpture, I saw bones under a dress. The image combined with my recent thinking to create this fictional poem about a mother's lies and what her children do with discovered truth.
Laura Johnson is poet in Eastern Iowa who serves as a co-editor of the online literary journal Backchannels. Laura is a graduate (BA ‘89, MA ‘92) of the University of Iowa. Laura participates in performance poetry and leads writing workshops in her community. Her work has appeared or is forthcoming in Rosebud, High Shelf Press, Down in the Dirt and First Literary Review-East.