THEORY OF REGENERATION
One bruise and another make America
as fast as you would think, only you can add
them forever and the industrial warehouses
with their coffin-sized skylights never fill.
I was someone once who could pull a lever
and make the whole thing lean slightly to one
side. It wouldn’t change its course, anything’s,
yours, mine, my seeing that sign in my own
window that said LOVE, coming home late
from a shift of pleading with children
to take language as seriously as a gun locker.
I was told that a woman who used to live
in the ancient house past my rental trapped birds
for her cats with a blanket. Last flights
among the dank mirrors, dulled from decades
of showing air to air. In a photo of the place
when she owned it, in her private century
inside ours, ivy rips like fire over its face. It’s true
it was alive, that to cut it would make it
suffer, that its suffering could change
nothing about this Rube Goldberg machine
of angst and liquid assets that has given
unto us two darknesses. Together they make
a darkness. The leaves I didn’t rake became
the ground. And so the dove carcass I buried,
ten years old, thinking I’d dig it up for science.
How easy it went down into a sky I still haven’t
learned to look for. How easy a strange physics
lifts me from this city day after selfsame day.
Process notes go here.
Andrew David King is originally from the East Bay Area, CA and is presently Provost's Visiting Writer and Visiting Assistant Professor in the University of Iowa's Department of English and Creative Writing. A graduate of the Iowa Writers' Workshop, he completed the Certificate at the university's Center for the Book this fall. He is the author of the artist's chapbook Fire Sonnets.